In my exhibition, “Laws of Perception,” I present two distinct series of works that delve into the intricate relationship between drawing, patterns, and the underlying principles of representation in both art and science, as a way to focus on ‘beauty’ in what can be a dark world. The first series examines the meticulous process of replicating Islamic geometric patterns, exploring their connection to Platonic solids and their relevance to the language of chemistry. This investigation reflects the patterns that shape our everyday experiences and perceptions. My early travels through India, Egypt, Turkey and Spain, coupled with my studies in science and geography, have significantly influenced this body of work.
The second series draws inspiration from my deep appreciation for patterns and the cultural influences that have shaped my artistic journey. In particular, I am influenced by the Gothic architecture of England, the motifs reminiscent of William Morris, and a striking floral image gifted to me years ago, potentially derived from a Japanese woodblock print.
Over the years, I have collected an images, symbols, and patterns that I am drawn to. And whilst my making was on ‘hold’ I still worked at this show, carving the gifted Japanese floral image into a lino tile, while completing my law degree. My recent return to the art world represents a renewed focus on integrating these diverse influences into my latest series. This work seeks to interweave these elements as a means of communicating our shared human experience, despite our varied perspectives, modes of representation, and methods of communication. Through this exploration, I aim to invite viewers to reflect on the interconnectedness of culture, science, and art in shaping our understanding of the world.
